The word ‘uilleann’ is the irish for ‘elbow’. The uilleann pipes have been around in some form from before the 1700s. They are the most complex form of bag pipes. Uilleann pipes are quieter and have a softer tone than the Scottish bag pipes. Unlike the mouth blown pipes, the uilleann pipes get their air from a pump under the arm. Because of their design they are usually played sitting down.
below is a basic breakdown of the pipes.
Fiachra is left-handed, therefore the photos below are of left-handed pipes.
The Bellows…is under the left arm and using the elbow, it pumps air into the bag……
The Bag…
is under the right arm and acts as a reservoir for the air pumped form the bellows. By putting pressure on the bag, you force air to the Chanter, the Drones and the Regulators……
The Chanter …
is used to play the melody. It has 8 holes which, covered by the players fingers, make different notes. Placed on the players leg, below the chanter, is a piece of leather known as the popping strap. This is used to seal the bottom of the chanter.
The Main Stock…
is a means of connecting the 3 drones and 3 regulators to the bag.
The Regulators…
are keyed pipes with stopped ends. The Player uses the wrists to press the keys, which then produce the sound.
The Drones…
each plays a constant note, and each an octave apart. These can be switched on or off while playing.
The Reeds…
There are seven reeds in a full set of pipes. The regulators and Chanter have double reeds and the drones have single reeds. It is the air passing through the reeds that produces the distinctive sound of the pipes.
Fiachra plays a 1960’s ‘D’ full set by the Kennedy’s of Cork, a B. Koehler D chanter, and a ‘B’ full set by Andreas Rogge. Fiachra also plays Michael Burke Whistles.